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--- Quote from: Dankie on January 29, 2010, 01:05:36 am ---
--- Quote from: webmug on January 28, 2010, 23:11:06 pm ---Puharich talks about "magneto phonon effect" Magneto phonon Resonance (MPR) on a none linear load.

The "resonance cavity" works just like a "microwave resonance cavity" but not at high frequencies. He talks about in the audio range frequencies.

AC sine wave, phonon waves, sidebands, modulator, 2-3sec. relaxing time rotating, LC series resonance, amplitude amplifier...

Strange effect:
"None linear load sine waves become square wave pulses with high frequencies on the square wave"
Due the AC signal on the electrodes in the cavity with water in it, pulse signals are formed?

More stuff to think about:
Puharich used the same approach/circuit for the electrodes, amplitude independent.
What does Stan mean with "unipolar pulses", gate "molecule relaxation time"?
Puharich is feeding a AC signal, Stan feeding pulses? It's reverse signal, why? Both using a form of LC series resonance, resonance cavity?


--- End quote ---

He mentions the pulses becoming unipolar stangely enough , that was when the water was very clean and acted like a capacitor .

You probably cant find an engineer who ever heard of that and can explain it to you .

I beat ya Puharich was still uncovering things himself, nobody is saying that he knew everything about what he was doing.

--- End quote ---
Dankie, did you also notice, that the video footage where Puharich is explaining about the AC signal, is abruptly cut? He is talking about the pulse signal, that it is not a actual pulse, there are Fourier signals added to it (drew it on paper) then ... Can't find the complete footage.



   The peculiar conditions as associated with the gaseous elements of which water is composed, as regards the differential volume and gravity of its gases, make it a ready and fit subject of vibratory research.
   In submitting water to the influence of vibratory transmission, even on simple thirds, the high action induced on the hydrogen as contrasted with the one on the oxygen (under the same vibratory stream), causes the antagonism between these elements that induces dissociation.
   The differential antagonistic range of motion, so favouring the antagonistic thirds as to become thoroughly repellent. The gaseous element thus induced and registered, shows thousands of times much greater force as regards tenuity and volume than that induced by the chemical disintegration of heat, on the same medium. In all molecular dissociation or disintegration of both simple or compound elements, whether gaseous or solid, a stream of vibratory antagonistic thirds, sixths, or ninths, on their chord mass will compel progressive subdivisions.
   In the disintegration of water the instrument is set on thirds, sixths, and ninths, to get the best effects. These triple conditions are focalized on the neutral centre of said instrument so as to induce perfect harmony or concordance to the chord-note of the mass-chord of the instrument’s full combination; after which the diatonic and the enharmonic scale located at the top of the instrument, or ring, is thoroughly harmonized with the scale of ninths which is placed at the base of the vibratory transmitter with the telephone head.
   The next step is to disturb the harmony on the concentrative thirds, between the transmitter and disintegrator. This is done by rotating the syren so as to induce a sympathetic communication along the nodal transmitter, or wire, that associates the two instruments. When the note of the syren becomes concordant to the neutral centre of the disintegrator, the highest order of sympathetic communication is established. It is now necessary to operate the transferable vibratory negatizer, or negative accelerator, which is seated in the centre of the diatonic and enharmonic ring, at the top of disintegrator, and complete disintegration will follow (from the antagonisms induced on the concordants by said adjunct), in triple progression, thus:
—First, thirds: Molecular dissociation resolving the water into a gaseous compound of hydrogen and oxygen.
Second, sixths: resolving the hydrogen and oxygen into a new element by second order of dissociation, producing what I call, low atomic ether.
Third, ninths: The low atomic ether resolved into a new element, which I denominate high or second atomic harmonic.
All these transmissions being simultaneous on the disturbance of sympathetic equilibrium by said negative accelerator.
   Example:—Taking the chord mass of the disintegrator B flat, or any chord mass that may be represented by the combined association of all the mechanical parts of its structure (no two structures being alike in their chord masses), taking B flat, the resonators of said structure are set at B flat first octave, B flat third octave, and B flat ninth octave, by drawing out the caps of resonators until the harmony of thirds, sixths, and ninths are reached; which a simple movement of the fingers on the diatonic scale, at the head, will determine by the tremulous action which is highly sensible to the touch, on said caps. The caps are then rigidly fixed in their different positions by set screws. The focalization to the neutral centre is then established by dampening the steel rods, on the scale at the back, representing the thirds, sixths, and ninths, drawing a piece of small gum tube over them, which establishes harmony to the chord mass of the instrument. Concordance is thus effected between the disintegrator and the ninths of the scale at base of transmitters with telephonic head.
   This scale has a permanent sympathetic one, set on the ninth of any mass chord that may be represented, on any and all the multiple variations of mechanical combinations. In fact, permanently set for universal accommodation.
   The next step is to establish pure harmony between the transmitter and the disintegrator, which is done by spinning the syren disk, then waiting until the sympathetic note is reached, as the syren chord, decreasing in velocity, descends the scale. At this juncture, the negative accelerator must be immediately and rapidly rotated, inducing high disturbance of equilibrium between the transmitter and the disintegrator by triple negative evolution, with the result that a force of from five to ten, fifteen, twenty, and thirty thousand pounds to the square inch is evolved by the focalization of this triple negative stream on the disintegrating cell, or chamber, whether there be one, two, three, five, or ten drops of water enclosed within it.
""In molecular dissociation one fork of 620 is  used,  setting
          the chords on the first octave.

         "In atomic  separation  two  forks, one of 620 and one of 630
          per second; setting the chords on the second octave.

         "In the etheric three forks;  one of 620, one of 630, and one
          of 12,000, setting the chords on the third octave.

As a matter of further clarification, Keely states that you cannot
    DIRECTLY dissociate a single level of aggregation due to the shell
    structure of matter.
                                  Page 2

    In other words,  if  you  wish to dissociate the Atomic level, you
    must first dissociate the molecular  to  be  able  to  get  to the
    atomic.  That follows also if you wish to dissociate  the etheric,
    you must disrupt the molecular AND the atomic, THEN the etheric.

    Keely refers to this technique as progressive dissociation.


What is a vibratory transmitter ?

Resonant cavity of some sort or did this act @ distance ?

I heard you can communicate @ a distance with vibration alone .

Did someone read this theory?

Puharich was rotating the water molecule, wasn't he?



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